![]() These ears disappeared in the final generation of B&O ribbons: a mono mic called the BM6, which could be turned into a stereo mic known as the BM5 through the addition of a second mono element called the BM7. ![]() In the BM3 and BM4, which were both mono microphones, this body sprouted ‘ears’ on either side, which housed the magnets. From the BM3 onwards, they all shared a similar and very striking visual aesthetic, with the ribbon motor placed inside a cylindrical metal body. All B&O ribbon models carried the prefix ‘BM’ it seems there probably never was a BM1 or a BM8, though the company made moving-coil mics designated the MD1 and MD8. However, the enthusiast recording market of the ’50s and ’60s did produce a few gems that are still valued.ĭanish hi-fi manufacturers Bang & Olufsen have always been known as much for the distinctive styling of their products as for their sound, and for many years, they marketed a range of ribbon microphones that both looked stunning and sounded much better than most of their contemporaries. Today, they litter the shelves of junk shops, while once-prized reel-to-reel recorders are scavenged for parts and thrown away. To the audiophiles of 60 years ago, a Grundig moving-coil microphone might have represented a week’s wages, but you’d never have found one in Abbey Road. Mainly the province of hi-fi buffs, the focus was on capturing live performances to tape, and there was very little crossover between the equipment used in studios and that available to enthusiasts. However, like all revolutions, the home studio revolution did not come from nowhere.Īudio recording had been a popular hobbyist activity since the 1950s. ![]() The availability of affordable multitrack tape recorders, sequencers, mixers, synths, samplers and drum machines meant that it was suddenly feasible for musicians to record their own music to a high standard, with increasingly sophisticated production values. The magazine you’re reading was founded in 1985, in response to new developments in home studio recording. Born out of a successful microphone repair business, Extinct Audio’s first product is inspired by the classic Danish ribbon mics of old.
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